Karl Marxs Estranged Labor Essay - 1811 Words

Karl Marxs Estranged Labor nbsp;nbsp;nbsp;nbsp;nbsp;In Karl Marxs early writing on quot;estranged laborquot; there is a clear and prevailing focus on the plight of the laborer. Marxs writing on estranged labor is an attempt to draw a stark distinction between property owners and workers. In the writing Marx argues that the worker becomes estranged from his labor because he is not the recipient of the product he creates. As a result labor is objectified, that is labor becomes the object of mans existence. As labor is objectified man becomes disillusioned and enslaved. Marx argues that man becomes to be viewed as a commodity worth only the labor he creates and man is further reduced to a subsisting animal void of any capacity of†¦show more content†¦Because the worker is denied any nurturing in his work no intimacy between the worker and his work develops. Lacking an intimate relation with what he creates man is summarily estranged from his labor. (2) Labor estranges man from himself. Marx argues that the labor the worker produces does not belong to him, but to someone else. Given this condition the laborer belongs to someone else and is therefore enslaved. As a result of being enslaved the worker is reduced to a quot;subsisting animalquot;, a condition alien to him. As an end result man is estranged from himself and is entirely mortified. Marx points to these to situations as the reason man is essentially estranged from his labor. The incongruency between the world of things the worker creates and the world the worker lives in is the estrangement. nbsp;nbsp;nbsp;nbsp;nbsp;Marx argues that the worker first realizes he is estranged from his labor when it is apparent he cannot attain what he appropriates. As a result of this realization the objectification of labor occurs. For the worker the labor becomes an object, something shapeless and unidentifiable. Because labor is objectified, the laborer begins to identify the product of labor as labor. In other words all the worker can identify as a product of his labor,Show MoreRelatedKarl Marx and Estranged Labor Essay541 Words   |  3 PagesKarl Marx and Estranged Labor Marx on page 327 of his essay estranged labor is describing what to him were the fundamental conditions of labor under capitalism and why he found them detrimental to man. It is an essay about how people experience work. Marx criticizes capitalism by analyzing his theory of alienation.The theme for this essay was how workers in capitalism are alienated from their work .It covers 4 forms of alienation in capitalist society. Alienation is the transfer of propertyRead MoreThe City As A Growth Machine881 Words   |  4 Pagesarguing how the theory of Karl Marx on estranged labor is related into these article but also Angela Harris theory on Critical racial theory contributes, clarifies and supports the author s reasons on why segregation still exists among communities. I will be connecting argument by adding evidence to support my argument with Karl Marx and Angela Harris theory within the articles. The three articles mentioned, describe theories that attribute to Karl Marx theory of labor among the different classesRead MoreEssay on Karl Marxs Estranged Labor1830 Words   |  8 PagesKarl Marxs Estranged Labor In Karl Marxs early writing on estranged labor there is a clear and prevailing focus on the plight of the laborer. Marxs writing on estranged labor is an attempt to draw a stark distinction between property owners and workers. In the writing Marx argues that the worker becomes estranged from his labor because he is not the recipient of the product he creates. As a result labor is objectified, that is labor becomes the object of mans existence. As labor is objectifiedRead MoreThe Economic And Philosophic Manuscripts Of 18441592 Words   |  7 PagesThe Economic and Philosophic Manuscripts of 1844 was not published in Karl Marx’s lifetime. It is a series of fragmentary notes. Part of these notes is a piece called â€Å"Estranged Labor†. In this piece Marx rarely disputes the alienation of the bourgeoisie and focuses on the alienation of the proletariat relating to the hard work in factories in a capitalist society. I believe Marx is correct on his point of workers during his time and even so, it’s still relatable to today;Read MoreEssay about Karl Marx and Adam Smith: Division of Labour1117 Words   |  5 PagesKarl Marx and Adam Smith: Division of Labour A nation is just a vast establishment, where the labour of each, however diverse in character, adds to the wealth of all. Two brilliant people of their time are both respected in their views for creating a near perfect society where everyone is happy. Adam Smith, a respected Scottish political economist philosopher born in 1723, had the goal of perfect liberty for all individuals through the capitalistic approach. While Karl Marx, born in 1818Read MoreThe Philosophy Of Liberalism And Marxism Essay1390 Words   |  6 PagesThe Philosophy of Liberalism and Marxism John Locke and Karl Marx are two of the most influential philosophers when it comes to politics and how we should govern. Locke, regarded as the Father of Liberalism and Marx, the Father of Marxism, had many conflicting ideas and philosophies but their works are deep seeded into modern politics we know today and are still widely disputed John Locke’s An essay of Human Understanding in 1689. One of its main concepts is that knowledge is gained by experienceRead MoreUnderstanding Marx s Alienation Theory1217 Words   |  5 Pageslaborers. Capitalistic systems will eventually being to create alienated labor when it separates a worker from their owner’s personal reality. This might not be intentional, but it will happen regardless. Unfortunately alienation within a society can only lead to ciaos. Alienation only beings to occur when individuals being to regard their own labor and as a result workers become hostile to their own society and life. Karl Marx identifies four different types of alienations that form within a capitalisticRead MoreThe Three Types Of Theorizing1473 Words   |  6 Pages(Perez 2015). The three types of theorizing are not completely bound and do have overlap. Some theorists have work that encompasses more than one type, such as Marx who is known as a moral theorist for his work such as The Communist Manifesto and a scientific theorizer in regards to his work uncovering the laws of capitalism. Though some such as Marx have found a way to work between the differing types tension is present between theorizers of these various camps as they struggle to find balance. SometimesRead MoreThe Nature Vs. Nurture1463 Words   |  6 Pagesenvironment. There are endless ways of taking an approach to the Nature vs Nurture conflict, thus the reason that it’s truly unclear if its Nature or Nurture or even both what makes us who and what we are. Karl Marx in his Communist Manifesto takes a communism approach at the Nature vs Nurture conflict. Marx uses the class conflict between the bourgeoisie and proletarians in the beginning of the Communist Manifesto to explain whether its Nature vs Nurture that defines us. The class struggle between the bourgeoisieRead MoreMarx and the Bourgeoisie Essay1908 Words   |  8 Pagesessay I plan to analyze the claim by Karl Marx that the bourgeoisie class produces its own gravediggers. I will first present a definition of the bourgeoisie and the proletariat classes along with what Marx means by his claim. After discussing Marxs claim and his support I will assert that his claim is false and was based on a false assumption. I will argue that Marx does not allow the possibility of an adaptation on behalf of the bourgeoisie. Furthermore, that Marx contradicts his claim with his own

The Evolution of Digital Film - 606 Words

In order for digital film to exist like it does today it had to evolve from something. Digital film evolved from Film or celluloid film as it is originally more recognized. I have a few questions that I wish to cover early on and continue to develop as time goes on. What is digital Cinema and what are the advantages and or disadvantages of it over film. What is film celluloid and where did it originate from ? Why did digital film start ? finally what is next for digital film is there more to come or will it transition to something else ?. Firstly celluloid film is a thin sheet of celluloid, created from nitrocellulose and camphor. Celluloid can be traced back to as far as 1856 to an English man called Alexander Parkes. Parkes has been found to be â€Å"the first person who was granted the first patent which described a plastic material which he called ‘Parkesine’ †. (1) However it wasn’t actually Parkes that patented celluloid. John Wesley Hyatt an inventor and his brother Isaiah who actually patented their material as celluloid. So celluloid originated from New Jersey in the United States. Celluloid was actually created to become a replacement for the use of ivory in many products. However is made its way into film industry later on. This was primarily down to the work of John H. Stevens. â€Å"John H. Stevens was a chemist at the Celluloid Manufacturing Company† . (1) He discovered that a material know as amyl acetate was a â€Å"solvent for diluting celluloid† (1) This di scoveryShow MoreRelatedThe Evolution And Importance Of Sound1434 Words   |  6 PagesThe Evolution and Importance of Sound in Media Sound has accompanied performances and visual entertainment all throughout history, and more recently, with interactive media in video games. Sound is an integral part of the user experience and helps solidify immersion and realism. With the rapid increase of visual fidelity in film/television, and the rapid growth of graphical power in video games and animation, sound plays a more important role than ever. In these visual and interactive medias,Read MoreThe Impact Of Photography On Digital Photography965 Words   |  4 Pagescameras, the size of the devices decreased and these moments set the stage for a new, ever-changing century of innovation in digital photography (From Shutters to DSLR). Digital camera technology was born out of the spy satellite program designed to reduce the difficulties of collecting photographic data from cameras in orbit (From Shutters to DSLR). From these early designs, digital cameras increased in resolution and decreased in size and cost until they g radually became practical for widespread consumerRead MoreEssay about Choosing the Best Sound Format for Production1246 Words   |  5 PagesChoosing the Best Sound Format for Production There are many issues facing an audio professional who is considering getting into surround production, either for music, film, DVD, Internet, or multi-media. Whether you are recording, mixing, editing, or mastering, there is a lot of information that you need to be comfortable with before you can succeed in surround sound. Although this collection is a good start, it is by no means an exhaustiveRead Moreâ€Å"Nobody Can Ever Hide Behind A Camera. Accept The Fact1304 Words   |  6 Pagestransforming in the digital environment, even though there are advocates for the traditional (House, 2011). When an ordinary person decides to become a hobbyist photographer, he can choose for two different paths to start the journey, between film cameras and digital cameras. Although conventional film cameras and digital cameras have some similarities, the differences from the expensiveness of shooting, storage capacity and the feedback about the taken picture, must support a decision for a d igital camera forRead MoreThe Evoluation of Media Essay563 Words   |  3 Pagespost is far removed to the media my parents accessed many years ago. I have been long fascinated by the way media has developed around me and the role I play in the evolution of it. Production of digital media not only excites me, but challenges my very being as I am only a minor part in an ever developing media world. The evolution of media stemming from technologies and innovations which are changed, adapted and evolved everyday brings a whole new level of relevance to the core of the course. TheRead Moreinformative speech1255 Words   |  6 PagesTitle: Information Speech Outline â€Å"The Evolution of Animation† Subject Code: USEL 23 - Speech Communication Prepared For: Datin Minda Hassan Prepared By: Nur Rabiatul Adawiyah Bt Mohd Nor Kamarudin (1411170007) Class: Oregon Program: ADFP Summer 2014 Preparation Outline Informative Speech â€Å"The Evolution of Animation – From 2D Animation to 3D Animation† General Purpose: To inform Specific Purpose: To inform my audience the evolution of animation. Central Idea: I will myRead MoreUnderstanding Our Roles in the Digital Nation679 Words   |  3 PagesUnderstanding Our Roles in the Digital Nation Our world we live in changes dramatically every day. With evolving technologies moving often faster than we can understand, it is interesting to see how these innovations are impacting lives of everyday Americans and others all over the world. When once the internet was seen as a purely positive, the more technology envelopes our lives, it is showing itself as a potential hindrance to normal communications as well. The film the Digital Nation was incrediblyRead MoreSome Theorists Believe Cinema Must Be Realistic And May1725 Words   |  7 Pagesits original form—a static image on film stock. Others, however, argue that cinema is an important and relevant art medium no matter its form. Digital cinema, while making use of new and different technologies such as animation, is the next step in the evolution of film. Contrary to what certain theorists believe, it is the most efficient and most artistically inclined way to create films as it offers a world of possibilities. This is elaborated on in â€Å"Digital Cinema and the History of a Moving ImageRead MoreThe Blu Ray Disc1456 Words   |  6 Pagesmid-1990s the Digital Versatile Disc (DVD) emerged as a new format of media and rapidly obtained success. The transition from video cassettes to optical media took a shorter period of time than new technology usually it takes. The optical disc has turn into a widely functional digital data stor age format in the beginning of the decade of 2000, but is starting to be overcome by your successor, the high definition media format. The advance of the video game console market and the growth of the film studioRead MoreEssay on Photography in Flux1596 Words   |  7 PagesPhotography in Flux It is no secret that digital photography is very rapidly finding a niche in modem society, in both the professional realm as well as in the home. The advent of newer, faster, and more embellished technologies have placed the power of photographic production in the hands of the common person. An art form that formerly was left to the charge of few skilled professionals has been forever changed by these technologies. Certainly, this evolution of sorts has its strengths as well as its

Drugs in Sport Essay - 1052 Words

Drugs in sport The nature of sports promotes a strong desire to win, and many athletes will do anything to rise to the top. Every elite athlete wants to get an edge over their competition, causing many athletes to turn to performance enhancing drugs to gain this edge. Drug use in sport can cost players their super stardom dream career, but more seriously, their own lives. The wide-spread illegal use of drugs has eliminated the question of which athlete has the strongest raw power, to the question of which athlete has the greatest scientific base behind them. These questions have many pros and cons to each side of the argument, causing this question of debate to overlap and only leave deeper confusion in its path. The principle†¦show more content†¦They need to recognize that the chances of a gold medal in a few years time out-weighing long term serious health problems are very slim, therefore athletes should be protected from such harmful drugs as much as they can be, as the athletes thems elves manage to have a blind spot for the damage involved. The opposite side of the coin in this scenario would be making the use of performance-enhancing drugs legal. Sports authorities classify certain methods of training and strengthening legal, when in reality the distinction between natural and unnatural body enhancing is completely untenable. Already athletes use a vast amount of dietary supplements, exercises, equipment, training timetables, and medical employment to embellish their overall performance. There is nothing natural about having surgery on ligaments, taking vitamin pills, wearing whole-body Lycra suits, pumping weights everyday, and wearing specialised shoes which all give a major artificial advantage to those who can afford the benefit. Nevertheless, some athletes are taking illegal drugs amongst these aids, and are giving themselves even more of a advanced performance but also leaving behind those athletes who are clean, at a disadvantage. This destroys the concept of fair play, whereas legalisation would allow all athle tes to compete openly and fairly without any doubt or suspicion over the playing field. Drug use has been part of competitiveShow MoreRelatedDrug Use in Sports Essay1472 Words   |  6 Pages Drugs should be banned in all sports. They have been a problem for a long time. Athletes use them to enhance their body and for simply just the edge. There is nothing wrong with using some drugs to enhance your body as long as they are legal. The problems that come with drugs in sports are how to detect them. Some professional sports, such as the NHL, do not even use drug tests. The only sports that test for everything are the NBA and NFL. The Major League Baseball only tests for illegal drugs suchRead MoreEssay Drug Use in Sports2301 Words   |  10 PagesDrugs in sports can cost a player his or her scholarship(s) and more seriously, their lives. Everyday athletes that you may not think are doing anabolic steroids or the human growth hormone are the athletes who are the big users. 1. There are three major performance enhancing drugs that are used by the super star athletes: ana bolic steroids, amphetamine, and the human growth hormone pills. 2. These performance enhancing are found in just about all fifty states and the problem is rapidly growing.Read More Drugs: Hurt Players And Sports Essay1104 Words   |  5 Pages Drugs: Hurt Players and Sports Brett Favre, Diego Maradona, and Darryl Strawberry are all big name sport stars. They all play different sports, but all have the same problem: they tested positive for using illegal drugs. Cocaine, anabolic steroids, and painkillers are just a sample of drugs found in sports. Cocaine is described this way, â€Å"It makes you feel like you can do anything, and for athletes who long to be in control all the time, thats a strong temptation† (Coffey 1). Anabolic-androgenicRead MoreSports and Performance Enhancing Drugs Essay1221 Words   |  5 PagesPerformance enhancing drugs in todays pro sports have become a big deal, because of health stimulants and the benefits that such studies have on good development of the person and on fair athletic games. Pediatricians or trainers can play a huge role in helping the athlete or player that is using or taking performance enhancing drugs. By taking factual info about the true benefits and medical problems of these drugs and giving information about healthy food and working out. Tries to create a changeRead MorePerformance Enhancing Drugs In Sports Essay1574 Words   |  7 PagesPerformance enhancing drugs should be eliminated from all sports because they create an unfair competitive advantage. I am against the use of Performance Enhancing Drugs in sports because it is a worldwide problem that takes the integrity out of the game. There are so many people involved from trainers, players and coaches. In the past athletes played for love of the game, today however, the players have so much more at stake then just being able to play the game because they love it. AthletesRead More Performance-Enhancing Drugs in Sports Essay1678 Words   |  7 PagesPerformance-Enhancing Drugs in Sports In all areas of sports, professional, college, and even high school, there is widespread illegal use of performance-enhancing drugs. Although there are many reasons for athletes to choose to use these drugs, the cost of such use, both to the athlete and to society can be extraordinarily high. It is important to understand why performance-enhancing drugs are used and what are the consequences of their use to the athlete and society. One of theRead MoreThe Use of Performance Drugs in Sports Essay1024 Words   |  5 PagesUnfortunately, the drugs of today are caught up in the high stakes competition frenzy. Of this reality, teenage use of performance improved drugs is growing ever more popular. In colleges and in the professional league a lot of people are doing drugs and its ruining their health and life. Also, if some teenagers take performance drugs they are making them better than everyone else giving themselves an advantage over everyone else which is cheating, so why should they get money for using drugs to win, howRead More performance enhancing drugs in sports Essay1936 Words   |  8 PagesPerformance Enhancing Drugs: Introduction The Tour de France is considered the world’s most competitive bicycle race. Each summer top cycling teams from around the world compete in the three-week event, which sends riders on a grueling, multi-stage course through the mountainous countryside of Ireland, France, and Belgium. In 1998, the image of Tour de France cyclists as athletes at the peak of their natural abilities was tarnished by allegations of widespread performanceenhancing drug use among competitorsRead MoreSports Enhancing Drugs Is Great for sports: Personal Opinion Essay1422 Words   |  6 PagesSports are full of entertainment and great players. Imagine if the players were boosted with skills and performed like the monster on the movie Space Jam. This would be amazing if you never watched space jam I highly recommended you do so. The movie was great; it had one of the worlds best athletes in it Michal Jordan. He is known as one of the greatest basketball players ever to play the game. Space jam can show ho w an extra boost can improve players’ game play to the next level. Athletes shouldRead MoreThe Use of Illegal Drugs in Sports Essay examples1565 Words   |  7 PagesThe Use of Illegal Drugs in Sports â€Å"He’s at the 40, the 30, the 20, the 10, the 5, TOUCHDOWN!!† Can you imagine the joy of having 100,000 people chanting your name and cheering as loud as they could just for you? Now try imagine having all of that, then having it taken away because you tested positive for illegal drugs. This is the harsh reality for several professional athletes. They get a small taste of greatness but instead of working harder they take a drug and immediately notice improvement

“[Lifestyle] Theory Was Devised Primarily To Assist...

â€Å"[Lifestyle] theory was devised primarily to assist correctional counselors to change criminal thinking patterns† (Introduction to Criminology, p. 274) and so what Walters was trying to have a theory that proved that criminal behavior was more of a lifestyle than any other form of behavior. It is the biological and environmental conditions that aid criminals into making certain choices thus guiding them into criminal cognitions. Those cognitions are then formed through thinking errors that lead them into behavioral patterns only to guarantee criminality. Although these are two different theories they are very similar in that they both explain that criminal behavior comes from influences that are around the offender. In Differential†¦show more content†¦These groups then aid to form the biological conditions of an individual which then come down to the choices that they make. While each theory has many similarities there are also differences. In the Reading 13 it goes more in depth in the Differential Association Theory and I found that it uses three different â€Å"variables to measure the likelihood of criminal exposure† (Reading 13, p.217). These variables consist of the individuals’ definition and others’ definition towards the law, and the number of friends they associate with. The individual definition examines the individuals’ degree to tolerance for criminal behavior, meaning, do they stand for it or not. The other definition is exposure to other individuals that hold definitions that are favorable to violating the law. Then the third variable is friends. The number of criminal associates influences what kind of criminal behavior is committed or taken part in. Another major difference between Differential Association Theory and Lifestyle Theory is that Lifestyle theory believes that crime is not a behavior but a way of life. Criminal behavior is caused by thinking errors that arise from past actions and or decisions made earlier on in life. These decisions make negative impacts on the biological and environmental conditions that one has. Lifestyle Theory focuses on individual impacts rather than the ones made through association explained in Differential Association Theory. I found that both ofShow MoreRelatedCorrectional Administration Reviewer18383 Words   |  74 PagesCORRECTIONAL ADMINISTRATION CHIVAS GOCELA DULGUIME, R.C I. INTRODUCTION PENOLOGY - the study of punishment of crime. - a branch of Criminology dealing with prison management, and the deterrence and reformatory treatment of criminals. SOURCES OF THE TERM PENOLOGY: a. Peno was derived from Greek word â€Å"piono† and from the Latin word â€Å"poena†, both terms mean punishment. b. Logy was from the Latin word â€Å"logos†, meaning science. c. Penology distinguish from Penitentiary Science- Penology deals

A Game of Thrones Chapter Forty-seven Free Essays

string(47) " Or perhaps it was grief that fogged his eyes\." Eddard He was walking through the crypts beneath Winterfell, as he he had walked a thousand times before. The Kings of Winter watched him pass with eyes of ice, and the direwolves at their feet turned their great stone heads and snarled. Last of all, he came to the tomb where his father slept, with Brandon and Lyanna beside him. We will write a custom essay sample on A Game of Thrones Chapter Forty-seven or any similar topic only for you Order Now â€Å"Promise me, Ned,† Lyanna’s statue whispered. She wore a garland of pale blue roses, and her eyes wept blood. Eddard Stark jerked upright, his heart racing, the blankets tangled around him. The room was black as pitch, and someone was hammering on the door. â€Å"Lord Eddard,† a voice called loudly. â€Å"A moment.† Groggy and naked, he stumbled his way across the darkened chamber. When he opened the door, he found Tomard with an upraised fist, and Cayn with a taper in hand. Between them stood the king’s own steward. The man’s face might have been carved of stone, so little did it show. â€Å"My lord Hand,† he intoned. â€Å"His Grace the King commands your presence. At once.† So Robert had returned from his hunt. It was long past time. â€Å"I shall need a few moments to dress.† Ned left the man waiting without. Cayn helped him with his clothes; white linen tunic and grey cloak, trousers cut open down his plaster-sheathed leg, his badge of office, and last of all a belt of heavy silver links. He sheathed the Valyrian dagger at his waist. The Red Keep was dark and still as Cayn and Tomard escorted him across the inner bailey. The moon hung low over the walls, ripening toward full. On the ramparts, a guardsman in a gold cloak walked his rounds. The royal apartments were in Maegor’s Holdfast, a massive square fortress that nestled in the heart of the Red Keep behind walls twelve feet thick and a dry moat lined with iron spikes, a castle-within-a-castle. Ser Boros Blount guarded the far end of the bridge, white steel armor ghostly in the moonlight. Within, Ned passed two other knights of the Kingsguard; Ser Preston Greenfield stood at the bottom of the steps, and Ser Barristan Selmy waited at the door of the king’s bedchamber. Three men in white cloaks, he thought, remembering, and a strange chill went through him. Ser Barristan’s face was as pale as his armor. Ned had only to look at him to know that something was dreadfully wrong. The royal steward opened the door. â€Å"Lord Eddard Stark, the Hand of the King,† he announced. â€Å"Bring him here,† Robert’s voice called, strangely thick. Fires blazed in the twin hearths at either end of the bedchamber, filling the room with a sullen red glare. The heat within was suffocating. Robert lay across the canopied bed. At the bedside hovered Grand Maester Pycelle, while Lord Renly paced restlessly before the shuttered windows. Servants moved back and forth, feeding logs to the fire and boiling wine. Cersei Lannister sat on the edge of the bed beside her husband. Her hair was tousled, as if from sleep, but there was nothing sleepy in her eyes. They followed Ned as Tomard and Cayn helped him cross the room. He seemed to move very slowly, as if he were still dreaming. The king still wore his boots. Ned could see dried mud and blades of grass clinging to the leather where Robert’s feet stuck out beneath the blanket that covered him, A green doublet lay on the floor, slashed open and discarded, the cloth crusted with red-brown stains. The room smelled of smoke and blood and death. â€Å"Ned,† the king whispered when he saw him. His face was pale as milk. â€Å"Come . . . closer.† His men brought him close. Ned steadied himself with a hand on the bedpost. He had only to look down at Robert to know how bad it was. â€Å"What . . . ?† he began, his throat clenched. â€Å"A boar.† Lord Renly was still in his hunting greens, his cloak spattered with blood. â€Å"A devil,† the king husked. â€Å"My own fault. Too much wine, damn me to hell. Missed my thrust.† â€Å"And where were the rest of you?† Ned demanded of Lord Renly. â€Å"Where was Ser Barristan and the Kingsguard?† Renly’s mouth twitched. â€Å"My brother commanded us to stand aside and let him take the boar alone.† Eddard Stark lifted the blanket. They had done what they could to close him up, but it was nowhere near enough. The boar must have been a fearsome thing. It had ripped the king from groin to nipple with its tusks. The wine-soaked bandages that Grand Maester Pycelle had applied were already black with blood, and the smell off the wound was hideous. Ned’s stomach turned. He let the blanket fall. â€Å"Stinks,† Robert said. â€Å"The stink of death, don’t think I can’t smell it. Bastard did me good, eh? But I . . . I paid him back in kind, Ned.† The king’s smile was as terrible as his wound, his teeth red. â€Å"Drove a knife right through his eye. Ask them if I didn’t. Ask them.† â€Å"Truly,† Lord Renly murmured. â€Å"We brought the carcass back with us, at my brother’s command.† â€Å"For the feast,† Robert whispered. â€Å"Now leave us. The lot of you. I need to speak with Ned.† â€Å"Robert, my sweet lord . . . † Cersei began. â€Å"I said leave,† Robert insisted with a hint of his old fierceness. â€Å"What part of that don’t you understand, woman?† Cersei gathered up her skirts and her dignity and led the way to the door. Lord Renly and the others followed. Grand Maester Pycelle lingered, his hands shaking as he offered the king a cup of thick white liquid. â€Å"The milk of the poppy, Your Grace,† he said. â€Å"Drink. For your pain.† Robert knocked the cup away with the back of his hand. â€Å"Away with you. I’ll sleep soon enough, old fool. Get out.† Grand Maester Pycelle gave Ned a stricken look as he shuffled from the room. â€Å"Damn you, Robert,† Ned said when they were alone. His leg was throbbing so badly he was almost blind with pain. Or perhaps it was grief that fogged his eyes. You read "A Game of Thrones Chapter Forty-seven" in category "Essay examples" He lowered himself to the bed, beside his friend. â€Å"Why do you always have to be so headstrong?† â€Å"Ah, fuck you, Ned,† the king said hoarsely. â€Å"I killed the bastard, didn’t I?† A lock of matted black hair fell across his eyes as he glared up at Ned. â€Å"Ought to do the same for you. Can’t leave a man to hunt in peace. Ser Robar found me. Gregor’s head. Ugly thought. Never told the Hound. Let Cersei surprise him.† His laugh turned into a grunt as a spasm of pain hit him. â€Å"Gods have mercy,† he muttered, swallowing his agony. â€Å"The girl. Daenerys. Only a child, you were right . . . that’s why, the girl . . . the gods sent the boar . . . sent to punish me . . .† The king coughed, bringing up blood. â€Å"Wrong, it was wrong, I . . . only a girl . . . Varys, Littlefinger, even my brother . . . worthless . . . no one to tell me no but you, Ned . . . only you . . . † He lifted his hand, the gesture pained and feeble. â€Å"Paper and ink. There, on the table. Write what I tell you.† Ned smoothed the paper out across his knee and took up the quill. â€Å"At your command, Your Grace.† â€Å"This is the will and word of Robert of House Baratheon, the First of his Name, King of the Andals and all the rest—put in the damn titles, you know how it goes. I do hereby command Eddard of House Stark, Lord of Winterfell and Hand of the King, to serve as Lord Regent and Protector of the Realm upon my . . . upon my death . . . to rule in my . . . in my stead, until my son Joffrey does come of age . . . â€Å" â€Å"Robert . . . † Joffrey is not your son, he wanted to say, but the words would not come. The agony was written too plainly across Robert’s face; he could not hurt him more. So Ned bent his head and wrote, but where the king had said â€Å"my son Joffrey,† he scrawled â€Å"my heir† instead. The deceit made him feel soiled. The lies we tell for love, he thought. May the gods forgive me. â€Å"What else would you have me say?† â€Å"Say . . . whatever you need to. Protect and defend, gods old and new, you have the words. Write. I’ll sign it. You give it to the council when I’m dead.† â€Å"Robert,† Ned said in a voice thick with grief, â€Å"you must not do this. Don’t die on me. The realm needs you.† Robert took his hand, fingers squeezing hard. â€Å"You are . . . such a bad liar, Ned Stark,† he said through his pain. â€Å"The realm . . . the realm knows . . . what a wretched king I’ve been. Bad as Aerys, the gods spare me.† â€Å"No,† Ned told his dying friend, â€Å"not so bad as Aerys, Your Grace. Not near so bad as Aerys.† Robert managed a weak red smile. â€Å"At the least, they will say . . . this last thing . . . this I did right. You won’t fail me. You’ll rule now. You’ll hate it, worse than I did . . . but you’ll do well. Are you done with the scribbling?† â€Å"Yes, Your Grace.† Ned offered Robert the paper. The king scrawled his signature blindly, leaving a smear of blood across the letter. â€Å"The seal should be witnessed.† â€Å"Serve the boar at my funeral feast,† Robert rasped. â€Å"Apple in its mouth, skin seared crisp. Eat the bastard. Don’t care if you choke on him. Promise me, Ned.† â€Å"I promise.† Promise me, Ned, Lyanna’s voice echoed. â€Å"The girl,† the king said. â€Å"Daenerys. Let her live. If you can, if it . . . not too late . . . talk to them . . . Varys, Littlefinger . . . don’t let them kill her. And help my son, Ned. Make him be . . . better than me.† He winced. â€Å"Gods have mercy.† â€Å"They will, my friend,† Ned said. â€Å"They will.† The king closed his eyes and seemed to relax. â€Å"Killed by a pig,† he muttered. â€Å"Ought to laugh, but it hurts too much.† Ned was not laughing. â€Å"Shall I call them back?† Robert gave a weak nod. â€Å"As you will. Gods, why is it so cold in here?† The servants rushed back in and hurried to feed the fires. The queen had gone; that was some small relief, at least. If she had any sense, Cersei would take her children and fly before the break of day, Ned thought. She had lingered too long already. King Robert did not seem to miss her. He bid his brother Renly and Grand Maester Pycelle to stand in witness as he pressed his seal into the hot yellow wax that Ned had dripped upon his letter. â€Å"Now give me something for the pain and let me die.† Hurriedly Grand Maester Pycelle mixed him another draught of the milk of the poppy. This time the king drank deeply. His black beard was beaded with thick white droplets when he threw the empty cup aside. â€Å"Will I dream?† Ned gave him his answer. â€Å"You will, my lord.† â€Å"Good,† he said, smiling. â€Å"I will give Lyanna your love, Ned. Take care of my children for me.† The words twisted in Ned’s belly like a knife. For a moment he was at a loss. He could not bring himself to lie. Then he remembered the bastards: little Barra at her mother’s breast, Mya in the Vale, Gendry at his forge, and all the others. â€Å"I shall . . . guard your children as if they were my own,† he said slowly. Robert nodded and closed his eyes. Ned watched his old friend sag softly into the pillows as the milk of the poppy washed the pain from his face. Sleep took him. Heavy chains jangled softly as Grand Maester Pycelle came up to Ned. â€Å"I will do all in my power, my lord, but the wound has mortified. It took them two days to get him back. By the time I saw him, it was too late. I can lessen His Grace’s suffering, but only the gods can heal him now.† â€Å"How long?† Ned asked. â€Å"By rights, he should be dead already. I have never seen a man cling to life so fiercely.† â€Å"My brother was always strong,† Lord Renly said. â€Å"Not wise, perhaps, but strong.† In the sweltering heat of the bedchamber, his brow was slick with sweat. He might have been Robert’s ghost as he stood there, young and dark and handsome. â€Å"He slew the boar. His entrails were sliding from his belly, yet somehow he slew the boar.† His voice was full of wonder. â€Å"Robert was never a man to leave the battleground so long as a foe remained standing,† Ned told him. Outside the door, Ser Barristan Selmy still guarded the tower stairs. â€Å"Maester Pycelle has given Robert the milk of the poppy,† Ned told him. â€Å"See that no one disturbs his rest without leave from me.† â€Å"It shall be as you command, my lord.† Ser Barristan seemed old beyond his years. â€Å"I have failed my sacred trust.† â€Å"Even the truest knight cannot protect a king against himself,† Ned said. â€Å"Robert loved to hunt boar. I have seen him take a thousand of them.† He would stand his ground without flinching, his legs braced, the great spear in his hands, and as often as not he would curse the boar as it charged, and wait until the last possible second, until it was almost on him, before he killed it with a single sure and savage thrust. â€Å"No one could know this one would be his death.† â€Å"You are kind to say so, Lord Eddard.† â€Å"The king himself said as much. He blamed the wine.† The white-haired knight gave a weary nod. â€Å"His Grace was reeling in his saddle by the time we flushed the boar from his lair, yet he commanded us all to stand aside.† â€Å"I wonder, Ser Barristan,† asked Varys, so quietly, â€Å"who gave the king this wine?† Ned had not heard the eunuch approach, but when he looked around, there he stood. He wore a black velvet robe that brushed the floor, and his face was freshly powdered. â€Å"The wine was from the king’s own skin,† Ser Barristan said. â€Å"Only one skin? Hunting is such thirsty work.† â€Å"I did not keep count. More than one, for a certainty. His squire would fetch him a fresh skin whenever he required it.† â€Å"Such a dutiful boy,† said Varys, â€Å"to make certain His Grace did not lack for refreshment.† Ned had a bitter taste in his mouth. He recalled the two fair-haired boys Robert had sent chasing after a breastplate stretcher. The king had told everyone the tale that night at the feast, laughing until he shook. â€Å"Which squire?† â€Å"The elder,† said Ser Barristan. â€Å"Lancel.† â€Å"I know the lad well,† said Varys. â€Å"A stalwart boy, Ser Kevan Lannister’s son, nephew to Lord Tywin and cousin to the queen. I hope the dear sweet lad does not blame himself. Children are so vulnerable in the innocence of their youth, how well do I remember.† Certainly Varys had once been young. Ned doubted that he had ever been innocent. â€Å"You mention children. Robert had a change of heart concerning Daenerys Targaryen. Whatever arrangements you made, I want unmade. At once.† â€Å"Alas,† said Varys. â€Å"At once may be too late. I fear those birds have flown. But I shall do what I can, my lord. With your leave.† He bowed and vanished down the steps, his soft-soled slippers whispering against the stone as he made his descent. Cayn and Tomard were helping Ned across the bridge when Lord Renly emerged from Maegor’s Holdfast. â€Å"Lord Eddard,† he called after Ned, â€Å"a moment, if you would be so kind.† Ned stopped. â€Å"As you wish.† Renly walked to his side. â€Å"Send your men away.† They met in the center of the bridge, the dry moat beneath them. Moonlight silvered the cruel edges of the spikes that lined its bed. Ned gestured. Tomard and Cayn bowed their heads and backed away respectfully. Lord Renly glanced warily at Ser Boros on the far end of the span, at Ser Preston in the doorway behind them. â€Å"That letter.† He leaned close. â€Å"Was it the regency? Has my brother named you Protector?† He did not wait for a reply. â€Å"My lord, I have thirty men in my personal guard, and other friends beside, knights and lords. Give me an hour, and I can put a hundred swords in your hand.† â€Å"And what should I do with a hundred swords, my lord?† â€Å"Strike! Now, while the castle sleeps.† Renly looked back at Ser Boros again and dropped his voice to an urgent whisper. â€Å"We must get Joffrey away from his mother and take him in hand. Protector or no, the man who holds the king holds the kingdom. We should seize Myrcella and Tommen as well. Once we have her children, Cersei will not dare oppose us. The council will confirm you as Lord Protector and make Joffrey your ward.† Ned regarded him coldly. â€Å"Robert is not dead yet. The gods may spare him. If not, I shall convene the council to hear his final words and consider the matter of the succession, but I will not dishonor his last hours on earth by shedding blood in his halls and dragging frightened children from their beds.† Lord Renly took a step back, taut as a bowstring. â€Å"Every moment you delay gives Cersei another moment to prepare. By the time Robert dies, it may be too late . . . for both of us.† â€Å"Then we should pray that Robert does not die.† â€Å"Small chance of that,† said Renly. â€Å"Sometimes the gods are merciful.† â€Å"The Lannisters are not.† Lord Renly turned away and went back across the moat, to the tower where his brother lay dying. By the time Ned returned to his chambers, he felt weary and heartsick, yet there was no question of his going back to sleep, not now. When you play the game of thrones, you win or you die, Cersei Lannister had told him in the godswood. He found himself wondering if he had done the right thing by refusing Lord Renly’s offer. He had no taste for these intrigues, and there was no honor in threatening children, and yet . . . if Cersei elected to fight rather than flee, he might well have need of Renly’s hundred swords, and more besides. â€Å"I want Littlefinger,† he told Cayn. â€Å"If he’s not in his chambers, take as many men as you need and search every winesink and whorehouse in King’s Landing until you find him. Bring him to me before break of day.† Cayn bowed and took his leave, and Ned turned to Tomard. â€Å"The Wind Witch sails on the evening tide. Have you chosen the escort?† â€Å"Ten men, with Porther in command.† â€Å"Twenty, and you will command,† Ned said. Porther was a brave man, but headstrong. He wanted someone more solid and sensible to keep watch over his daughters. â€Å"As you wish, m’lord,† Tom said. â€Å"Can’t say I’ll be sad to see the back of this place. I miss the wife.† â€Å"You will pass near Dragonstone when you turn north. I need you to deliver a letter for me.† Tom looked apprehensive. â€Å"To Dragonstone, m’lord?† The island fortress of House Targaryen had a sinister repute. â€Å"Tell Captain Qos to hoist my banner as soon as he comes in sight of the island. They may be wary of unexpected visitors. If he is reluctant, offer him whatever it takes. I will give you a letter to place into the hand of Lord Stannis Baratheon. No one else. Not his steward, nor the captain of his guard, nor his lady wife, but only Lord Stannis himself.† â€Å"As you command, m’lord.† When Tomard had left him, Lord Eddard Stark sat staring at the flame of the candle that burned beside him on the table. For a moment his grief overwhelmed him. He wanted nothing so much as to seek out the godswood, to kneel before the heart tree and pray for the life of Robert Baratheon, who had been more than a brother to him. Men would whisper afterward that Eddard Stark had betrayed his king’s friendship and disinherited his sons; he could only hope that the gods would know better, and that Robert would learn the truth of it in the land beyond the grave. Ned took out the king’s last letter. A roll of crisp white parchment sealed with golden wax, a few short words and a smear of blood. How small the difference between victory and defeat, between life and death. He drew out a fresh sheet of paper and dipped his quill in the inkpot. To His Grace, Stannis of the House Baratheon, he wrote. By the time you receive this letter, your brother Robert, our King these past fifteen years, will be dead. He was savaged by a boar whilst hunting in the kingswood . . . The letters seemed to writhe and twist on the paper as his hand trailed to a stop. Lord Tywin and Ser Jaime were not men to suffer disgrace meekly; they would fight rather than flee. No doubt Lord Stannis was wary, after the murder of Jon Arryn, but it was imperative that he sail for King’s Landing at once with all his power, before the Lannisters could march. Ned chose each word with care. When he was done, he signed the letter Eddard Stark, Lord of Winterfell, Hand of the King, and Protector of the Realm, blotted the paper, folded it twice, and melted the sealing wax over the candle flame. His regency would be a short one, he reflected as the wax softened. The new king would choose his own Hand. Ned would be free to go home. The thought of Winterfell brought a wan smile to his face. He wanted to hear Bran’s laughter once more, to go hawking with Robb, to watch Rickon at play. He wanted to drift off to a dreamless sleep in his own bed with his arms wrapped tight around his lady, Catelyn. Cayn returned as he was pressing the direwolf seal down into the soft white wax. Desmond was with him, and between them Littlefinger. Ned thanked his guards and sent them away. Lord Petyr was clad in a blue velvet tunic with puffed sleeves, his silvery cape patterned with mockingbirds. â€Å"I suppose congratulations are in order,† he said as he seated himself. Ned scowled. â€Å"The king lies wounded and near to death.† â€Å"I know,† Littlefinger said. â€Å"I also know that Robert has named you Protector of the Realm.† Ned’s eyes flicked to the king’s letter on the table beside him, its seal unbroken. â€Å"And how is it you know that, my lord?† â€Å"Varys hinted as much,† Littlefinger said, â€Å"and you have just confirmed it.† Ned’s mouth twisted in anger. â€Å"Damn Varys and his little birds. Catelyn spoke truly, the man has some black art. I do not trust him.† â€Å"Excellent. You’re learning.† Littlefinger leaned forward. â€Å"Yet I’ll wager you did not drag me here in the black of night to discuss the eunuch.† â€Å"No,† Ned admitted. â€Å"I know the secret Jon Arryn was murdered to protect. Robert will leave no trueborn son behind him. Joffrey and Tommen are Jaime Lannister’s bastards, born of his incestuous union with the queen.† Littlefinger lifted an eyebrow. â€Å"Shocking,† he said in a tone that suggested he was not shocked at all. â€Å"The girl as well? No doubt. So when the king dies . . . â€Å" â€Å"The throne by rights passes to Lord Stannis, the elder of Robert’s two brothers.† Lord Petyr stroked his pointed beard as he considered the matter. â€Å"So it would seem. Unless . . . â€Å" â€Å"Unless, my lord? There is no seeming to this. Stannis is the heir. Nothing can change that.† â€Å"Stannis cannot take the throne without your help. If you’re wise, you’ll make certain Joffrey succeeds.† Ned gave him a stony stare. â€Å"Have you no shred of honor?† â€Å"Oh, a shred, surely,† Littlefinger replied negligently. â€Å"Hear me out. Stannis is no friend of yours, nor of mine. Even his brothers can scarcely stomach him. The man is iron, hard and unyielding. He’ll give us a new Hand and a new council, for a certainty. No doubt he’ll thank you for handing him the crown, but he won’t love you for it. And his ascent will mean war. Stannis cannot rest easy on the throne until Cersei and her bastards are dead. Do you think Lord Tywin will sit idly while his daughter’s head is measured for a spike? Casterly Rock will rise, and not alone. Robert found it in him to pardon men who served King Aerys, so long as they did him fealty. Stannis is less forgiving. He will not have forgotten the siege of Storm’s End, and the Lords Tyrell and Redwyne dare not. Every man who fought beneath the dragon banner or rose with Balon Greyjoy will have good cause to fear. Seat Stannis on the Iron Throne and I promise yo u, the realm will bleed. â€Å"Now look at the other side of the coin. Joffrey is but twelve, and Robert gave you the regency, my lord. You are the Hand of the King and Protector of the Realm. The power is yours, Lord Stark. All you need do is reach out and take it. Make your peace with the Lannisters. Release the Imp. Wed Joffrey to your Sansa. Wed your younger girl to Prince Tommen, and your heir to Myrcella. It will be four years before Joffrey comes of age. By then he will look to you as a second father, and if not, well . . . four years is a good long while, my lord. Long enough to dispose of Lord Stannis. Then, should Joffrey prove troublesome, we can reveal his little secret and put Lord Renly on the throne.† â€Å"We?† Ned repeated. Littlefinger gave a shrug. â€Å"You’ll need someone to share your burdens. I assure you, my price would be modest.† â€Å"Your price.† Ned’s voice was ice. â€Å"Lord Baelish, what you suggest is treason.† â€Å"Only if we lose.† â€Å"You forget,† Ned told him. â€Å"You forget Jon Arryn. You forget Jory Cassel. And you forget this.† He drew the dagger and laid it on the table between them; a length of dragonbone and Valyrian steel, as sharp as the difference between right and wrong, between true and false, between life and death. â€Å"They sent a man to cut my son’s throat, Lord Baelish.† Littlefinger sighed. â€Å"I fear I did forget, my lord. Pray forgive me. For a moment I did not remember that I was talking to a Stark.† His mouth quirked. â€Å"So it will be Stannis, and war?† â€Å"It is not a choice. Stannis is the heir.† â€Å"Far be it from me to dispute the Lord Protector. What would you have of me, then? Not my wisdom, for a certainty.† â€Å"I shall do my best to forget your . . . wisdom,† Ned said with distaste. â€Å"I called you here to ask for the help you promised Catelyn. This is a perilous hour for all of us. Robert has named me Protector, true enough, but in the eyes of the world, Joffrey is still his son and heir. The queen has a dozen knights and a hundred men-at-arms who will do whatever she commands . . . enough to overwhelm what remains of my own household guard. And for all I know, her brother Jaime may be riding for King’s Landing even as we speak, with a Lannister host at his back.† â€Å"And you without an army.† Littlefinger toyed with the dagger on the table, turning it slowly with a finger. â€Å"There is small love lost between Lord Renly and the Lannisters. Bronze Yohn Royce, Ser Balon Swann, Ser Loras, Lady Tanda, the Redwyne twins . . . each of them has a retinue of knights and sworn swords here at court.† â€Å"Renly has thirty men in his personal guard, the rest even fewer. It is not enough, even if I could be certain that all of them will choose to give me their allegiance. I must have the gold cloaks. The City Watch is two thousand strong, sworn to defend the castle, the city, and the king’s peace.† â€Å"Ah, but when the queen proclaims one king and the Hand another, whose peace do they protect?† Lord Petyr flicked at the dagger with his finger, setting it spinning in place. Round and round it went, wobbling as it turned. When at last it slowed to a stop, the blade pointed at Littlefinger. â€Å"Why, there’s your answer,† he said, smiling. â€Å"They follow the man who pays them.† He leaned back and looked Ned full in the face, his grey-green eyes bright with mockery. â€Å"You wear your honor like a suit of armor, Stark. You think it keeps you safe, but all it does is weigh you down and make it hard for you to move. Look at you now. You know why you summoned me here. You know what you want to ask me to do. You know it has to be done . . . but it’s not honorable, so the words stick in your throat.† Ned’s neck was rigid with tension. For a moment he was so angry that he did not trust himself to speak. Littlefinger laughed. â€Å"I ought to make you say it, but that would be cruel . . . so have no fear, my good lord. For the sake of the love I bear for Catelyn, I will go to Janos Slynt this very hour and make certain that the City Watch is yours. Six thousand gold pieces should do it. A third for the Commander, a third for the officers, a third for the men. We might be able to buy them for half that much, but I prefer not to take chances.† Smiling, he plucked up the dagger and offered it to Ned, hilt first. How to cite A Game of Thrones Chapter Forty-seven, Essay examples

How does Browning use the human voice to create character Essay Example For Students

How does Browning use the human voice to create character Essay All thress poems, Porphyrias Lover, My last Duchess and The laboratory are about murdering innocent people out of the desperateness of love and never wanting to lose that one perfect moment. In the poem, Porphyrias Lover, a blonde woman is the vistim but My Last Duchess is about killing the Duchess probabaly through jealously as she treated everyone equally and the husband might have wanted more love and admiration shown towards him alone from his Wife. the Laboratory chooses a woman to be the perpetrator, She is wvil. She is resourceful and terribly energetic as she knows how to get what she wants. Porphyrias Lover mimics natural speech. It actually takes the form of stictly structured werse, rhyming ABABB. The intensity of the pattern suggests the madness concealed within the speakers reasoned self-presentation. Like most of Brownings other dramatic monologues, this one captures a moment after a main event or action. Porphyria already lies dead when the speaker begins. Just as the nameless speaker seeks to stoop time by killing her, so, too, does this kind of poem, like the other two of Brownings centres on sex and violence. The lover turns out to be very possessive and the poem gets intense as we realise his obessiveness. The words with which the narrator describes the weather reflects his own feelings, The rain set early in to-night, the sullen wind was soon awake, implying that he had woken up in an angry, depressed mood, which is an exampleof transferred epithex. The nature around reflects the emotions of the characters concerned, It tore the elm-tops down for spite, And did its worst to vex the lake this shows the agressiveness of Porphyrias Lover. Words are being emphasised the moment she was mine, mine, fair, perfectly pure and good here is a example of repeated words showing that the nattator is very dominating and feels possessive about the lady. The motive seen here was to keep ths moment forever by freezing time- in other words, killing her so in his own mind she would have been his alone fore evermore. Reversal if control is symbolised by repetition of the lovers positions one with his/her head on others shoulders, made her smooth white shoulder bare. The monosyllables used are simple; calm, detached and unemotional, whereas say, compared to The Laboratory where the woman narrator, She expresses her feelings by employing harsh boarding He is sure to remember her dying face! In The Laboratory, the setting is a darker, colder enviornment. It is described as being the workplace of a chemist, a devils smithy which, in its own right would be a hellish and evil atmosphere. The smoke mentioned is a symbol of hard work and the fact that it is in a such place can only mean evil deeds are being mischievously conjured. It also reminds us of speels and magic. Although the poison is produced here, the sinister acts will take place elsewhere; Browning describes the apothecarys lair as hellish, and therefore can be thought of as the engine room for sin. Sinuous describes graceful, twisting movement, as of a dancer, and a vine. My Last Duchess gently kills the lady whereas in the other two poems they are killed violently. Phrases such as I debated what to do.. and string i would.. thress times around tell us that the speaker is unstable, has a obessive nature and highly dangerous in Porphyrias Lover. All thress poems have a theme if jealousy running through them. This is probably is the reason for killing the opposistion. My Last Duchess is a less violent poem and the narrator describes his Wife using emotive words giving us a good impression of her, though he means the words as a critism, too soon made glad. This dramatic monologue, My Last Duchess, is narrated by the Duke. He mensions that Shes passed away in the first few sentances, Thats my last Duchess painted on the wall, looking as if she were alive, he prefers her as a piece of art because then Shes completely under his control. .u342b4baea5c58aa53d4fe28a84c9cdc8 , .u342b4baea5c58aa53d4fe28a84c9cdc8 .postImageUrl , .u342b4baea5c58aa53d4fe28a84c9cdc8 .centered-text-area { min-height: 80px; position: relative; } .u342b4baea5c58aa53d4fe28a84c9cdc8 , .u342b4baea5c58aa53d4fe28a84c9cdc8:hover , .u342b4baea5c58aa53d4fe28a84c9cdc8:visited , .u342b4baea5c58aa53d4fe28a84c9cdc8:active { border:0!important; } .u342b4baea5c58aa53d4fe28a84c9cdc8 .clearfix:after { content: ""; display: table; clear: both; } .u342b4baea5c58aa53d4fe28a84c9cdc8 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u342b4baea5c58aa53d4fe28a84c9cdc8:active , .u342b4baea5c58aa53d4fe28a84c9cdc8:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u342b4baea5c58aa53d4fe28a84c9cdc8 .centered-text-area { width: 100%; position: relative ; } .u342b4baea5c58aa53d4fe28a84c9cdc8 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u342b4baea5c58aa53d4fe28a84c9cdc8 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u342b4baea5c58aa53d4fe28a84c9cdc8 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u342b4baea5c58aa53d4fe28a84c9cdc8:hover .ctaButton { background-color: #34495E!important; } .u342b4baea5c58aa53d4fe28a84c9cdc8 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u342b4baea5c58aa53d4fe28a84c9cdc8 .u342b4baea5c58aa53d4fe28a84c9cdc8-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u342b4baea5c58aa53d4fe28a84c9cdc8:after { content: ""; display: block; clear: both; } READ: A Character Analysis Of The Many Facets Of Pearl I EssayUse of monosyllables which occurs in all thress of the poems, seems to lend emphasis by showing the rhythm. Repetition is a strong means of emphasis. The character, through his voice, engages the reader as one voice makes the story more immediate to the ambassador he is telling it to. The Duke shows his works of art with real enthusiasm: Neptune taming a sea-horse meaning taking control, making the Duchess seem like the sea-horse in this case with him in control. The Duke is quite a performer: He mimics others voices, creates hypothetical situations and uses the force of his personality to blend horrifying information into polite conversation. The poem provides a classic example of a dramatic monologue: the speaker is clearly distinct from the poet, an audience is suggested but never appears in the poem: Browning forces his reader to become involved in the poem in order to understand it and this adds to the fun of reading his work. It also forces this reader to question his or her own response to the subject portrayed and the method of portrayal. This is because we would suggest such a person to commit such a crime if he actually loved the person, it just shows his selfishness. The reason the speaker here gives for killing the Duchess differs from that given by the speaker of Porphyrias Lover for murdering Porphyria: however, both women are nevertheless victims of a male desire to control and posses a lobver/Wife. The desperate need to do this mirrors the efforts of the woman in The Laboratory because this poem is totally different from the other two. Here, the narrator is out for revenge, but her motives are the sae: to possess and control her lover. The Laboratory poem describes a sistuation where the nattator is persumed to be a woman unlike the other two poems, because here she uses poison a womans weapon. She wants it to be visible that her rival has died and wants her lover to witness the painful death. This is a pre-planned murder as in My Last Duchess it is only Porphyrias Lover when there is a real crime of passion unplanned. Overall i preferred Porphyrias Lover, as he is contemplating with honey in his voice and is actually unknowingly admitting to the act of murder. This sanity is questioned when she arrives at the house and he is sitting in the dark. Browning uses this to get a sense of foreboding established and you start to wonder why no lights are on or why there is no fire built. The speaker schemes in obscurity at the thought of going through with his plan, while at the same time describing her every move. This keeps the reader intrested and wanting to find out his next moves. In all thress poems, Browning makes us hear the narrators voice, as if were watching a play and this makes the poems come alive.